Are Trends alive?

Everything can be a trend on the internet. Why are we so gritty to name them?





One of the recent trends on Likee, Snack Videos & TikTok is an artistic called “Fun”. It symbolizes the kind of performative richness one generally run into at New Year’s Eve parties, wedding parties, lunch/dinner, and confused accessories.
It is not a reaction to wellness culture, nor is it evidence that celebrations are “in” yet again (has celebrations ever been “out”?). It is just one of many artistic names for which the internet has artificial a buzzy, pointless combination. Rest assured that night Fun will probably have faded into insignificance by the time this article is published, only for another meme-Ifield to be crowned the next viral “trend”.

The trend to register and tag things, whether it be one’s personality, body type, or visual preferences, is an expected part of online life. People have a liking for naming abstract digital phenomena, but Likee, Snack Video & TikTok have only enhanced the use of cutesy visual terminology. Anything that is indefinably popular online must be defined or decoded — and eventually, compact to a pack of marketable vibes with a vulgar label.
Last week, fashion news director Mr. Frozen Parker declared, “we’re living in another world where we express ourselves through trend reporting.” There is, I would debate, as much reporting as there is trend industrialized. No one is assured exactly what a trend any more or if it is just an unproven statement gone viral.

Likee, Snack Video & TikTok pluck niche digital aesthetics out of anonymity and assists them up to an audience that might not have known or wanted in the first place. While visual components were once primary to the foundation of traditional subcultures, they have lost all importance in this algorithmically motivated visual landscape. As an alternative, subcultural images and arrogances become grouped under a worldwide, indescribable label of a “viral trend” — something that can be clarified, copycatted, vented, and believed.

When Awezdarbar went viral on TikTok in 2019, however, it transformed into something out of range. It became a lifestyle of mass consumption through a girl, a lollipop, a scarf, and a girl huge. Awezdarbar ordinary popularity coincided with the pandemic’s early months, a time when people were badly searching for a sense of relaxation, habitually by buying lots of stuff. The visual reflected a kind of quaint domesticity, which was fitting for the spring quarantine. On Tumblr, a visual blogging platform, online aesthetics could transcend physicality. On TikTok, which has become an easy but great product sanction, a precondition for most artistic trends is touchable accessibility. In other words, what could a person wear or what he can do?




The path of TikTok’s many micro-trends is essentially a parody of the early 2010s internet, a period that marked the inauguration of the end of a jointly agreed-upon monoculture. There was still the “lamestream” to unorthodox against, a clear scale between normal and alt to place yourself on. The 2010s were, broadly speaking, when different music and fashion blogs were gospel and indie tastemakers the ultimate arbitrators of cool.

Virility isn’t always a bad thing, but it marks away at this once-valued concept of authenticity, of discovering a music or fashion scene first. Trend mania is measured as faded among young social media users. Teenagers, for illustration, are familiar with trying on digital aesthetics like clothes (and buying fast fashion to epitomize these tastes), exchanging out ones that no longer fit their self-improving personality, style, or vibe.

Trend brain controls on separations: applicable vs. unapplicable, good vs. bad, buyable vs. unbuyable, cool vs. uncool. This mindset extends to how people observe and react to the internet, where even an original vision can become a commodified status signal — a way to validate that you’re a separate individual who is in the know. With the mass devolution of culture, even while platforms are becoming increasingly centralized, there’s no way for a sane person to keep up. The problem is, we are told that we can. We are told we must grow to keep up or our digital personas will wither into insignificance, as our style grows stale.

Moreover, here we all remain stuck in the throes of progressively meaningless trends.


The web host I recommend, and the one I show you how to use in this guide, is PKWEBHOST I personally use PKWEBHOST and I recommend them for all new bloggers because:

  • They will register your custom domain name, making sure no one else can take it.
  • They have a 30 day money back guarantee if you are unsatisfied for any reason.
  • They offer a automatic installation of the WordPress blogging and Google Blog software.
  • They offer reliable web hosting that has been recommended by WordPress and Google Blog since 2008 and they currently host over 1.5 million blogs and websites.
  • They have helpful 24/7 customer service via phone or web chat.

Use any PKWEBHOST on this site to get the special discount price.

Disclosure: PKWEBHOST compensates The Blog Starter when you purchase through this link, so my services are free of charge to you.